Noise by Wildsync - 4 different colors of noise: Blue, Pink, White, Red
WILDSYNC Noise - 4 different colors of noise: Blue, Pink, White, Red.
Each color occupies a different area of the frequency spectrum and can be used for different effects:
White noise is flat across the whole audio spectrum and is good for snares, the classic techno noise sweeps, and for sculpting windy types of sounds.
Blue is high-pitched and is good for synthesizing hi-hats.
Pink noise has the same amount of energy in every octave and is often used as a reference signal.
Brown is a low-frequency Brownian motion. When paired with a Sample and Hold module, this can give a good random walk bassline.
Size: 3HP
WILDSYNC Noise - 4 different colors of noise: Blue, Pink, White, Red.
Each color occupies a different area of the frequency spectrum and can be used for different effects:
White noise is flat across the whole audio spectrum and is good for snares, the classic techno noise sweeps, and for sculpting windy types of sounds.
Blue is high-pitched and is good for synthesizing hi-hats.
Pink noise has the same amount of energy in every octave and is often used as a reference signal.
Brown is a low-frequency Brownian motion. When paired with a Sample and Hold module, this can give a good random walk bassline.
Size: 3HP
WILDSYNC Noise - 4 different colors of noise: Blue, Pink, White, Red.
Each color occupies a different area of the frequency spectrum and can be used for different effects:
White noise is flat across the whole audio spectrum and is good for snares, the classic techno noise sweeps, and for sculpting windy types of sounds.
Blue is high-pitched and is good for synthesizing hi-hats.
Pink noise has the same amount of energy in every octave and is often used as a reference signal.
Brown is a low-frequency Brownian motion. When paired with a Sample and Hold module, this can give a good random walk bassline.
Size: 3HP
